New Year's Eve concert and service in St. Martini-Lesum, Bremen
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Christmas Eve services in St. Martini-Lesum, Bremen
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche, baroque orchestra
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Lessons and Carols service in St. Martini-Lesum, Bremen
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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G.P. Telemann, Der aus der Löwengrube errettete Daniel
Oratorio
Elena Tsanditis, Freude / Vertrauen
Julie Comparini, Daniel / Arbaces
N.N. Darius / Mut
Choirs of the Wolfsburger Kantoreien and baroque orchestra
Conducted by Jannik Hüffner
Christuskirche
An der Christuskirche 4
38440 Wolfsburg
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Gioachino Rossini, Petite messe solennelle
Emy Gazeilles, soprano
Eva Zaïcik, alto
Moritz Kallenberg, tenor
Guilhem Worms, bass
Balthasar Neumann Choir
Andreas Küppers, piano
Christophe Henry, harmonium
Conducted by Thomas Hengelbrock
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Gioachino Rossini, Petite messe solennelle
Emy Gazeilles, soprano
Eva Zaïcik, alto
Moritz Kallenberg, tenor
Guilhem Worms, bass
Balthasar Neumann Choir
Andreas Küppers, piano
Christophe Henry, harmonium
Conducted by Thomas Hengelbrock
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Gioachino Rossini, Petite messe solennelle
Emy Gazeilles, soprano
Eva Zaïcik, alto
Moritz Kallenberg, tenor
Guilhem Worms, bass
Balthasar Neumann Choir
Andreas Küppers, piano
Christophe Henry, harmonium
Conducted by Thomas Hengelbrock
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Gioachino Rossini, Petite messe solennelle
Emy Gazeilles, soprano
Eva Zaïcik, alto
Moritz Kallenberg, tenor
Guilhem Worms, bass
Balthasar Neumann Choir
Andreas Küppers, piano
Christophe Henry, harmonium
Conducted by Thomas Hengelbrock
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Choral Evensong service in St. Martini-Lesum, Bremen
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Joseph Haydn, Missa in angustiis Hob. XXII:11
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche and baroque orchestra
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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What are days for? To wake us up. To put between the endless nights. What are the nights for? To slip through time into another world.
-- Laurie Anderson
Under a waning half-moon and the watchful eyes of the river guards, six boats glide through twilight into darkness. Their illuminating lanterns cast shadows onto the water's surface and the reedy riverbanks; the night air is filled with the sweet sound of baroque music.
Every boat hosts a different ensemble. Together, they illustrate the musical depth and range of the European Baroque era. At certain points, they come to rest, inviting the audience to hear them up close. They can be heard from the riverbanks, the ports and locks or, in another boat, from on the river itself.
In our boat, Gli aeronauti di Monteverdi (lisa Solomon, Lea Völzer, Julie Comparini, Matthew Glandorf, and Alexander Schuhmann) sing madrigals by Claudio Monteverdi under the direction of Matthew Glandorf.
Concept and mise-en-scène: Peter Schenk
Saturday, September 12, from 7:30 pm
Torfhafen Findorff, Bremen
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Works by Orlando Gibbons for voices and viols
Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Carsten Krüger, bass
Capella der St. Martini-Kirche
ORLANDOViols
Conducted by Matthew Glandorf
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Arthur Honegger, König David
Anna Terterjan, soprano
Julie Comparini, alto
Mikolaj Kapala, tenor
Anika Brockmann, narrator
IntoNation – Choir of the Hochschule Bremen
Orchestra
Ines Piña and Mai Ferreira, video projections
Julio Fernández, conductor
Tickets: 20 / 15 Euro (advance), 25 / 20 Euro (door)
Advance sales via Nordwest-Ticket, Hochschule Bremen and the Kulturkirche St. Stephani. Remaining tickets at the door
Kulturkirche St. Stephani
Stephanikirchhof 8
28195 Bremen
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Missa Luba traditional music from the Congo, arranged by Guido Haazen Jacob Gallus, Confirma Hoc
Margaret Hunter, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella St. Martini
Matthew Glandorf, musical direction
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Official debut concert of musical director Matthew C. Glandorf. Works by Thomas Tomkins (1572-1656), Charles Villiers Stanford (1852-1924) and David Briggs (*1962).
Margaret Hunter, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella St. Martini
Kai-Niko Henke, organ
Matthew Glandorf, musical direction
Achim Krebber, pastor
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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G.P. Telemann: Singet dem Herrn ein neues Lied as part of church services
Soloists
Kammerchor Arte Vocale
Michael Huß, Conducter
St. Cyprian & Cornelius
Ring 14
27777 Ganderkesee
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SANCTA by Florentina Holzinger
Performance by and with: Saioa Alvarez Ruiz, Born In Flamez, Gibrana Cervantes, Renée Copraij, Luz de Luna Duran, Sophie Duncan, Blathin Eckhardt, Fibi Eyewalker, Jasko Fide, Paige A. Flash, Fleshpiece, Florentina Holzinger, Sara Lancerio, Laura London, Annina Machaz, Malin Nilsson, Xana Novais, Netti Nüganen, otay:onii, Veronica Thompson
Cornelia Zink, soprano
Andrea Baker, mezzo-soprano
Emma Rothmann, contralto
Women of the Mecklenburgisches Staatstheater opera choir and guests
Orchestra of the Komische Oper, Berlin
Stage direction, Choreography & Performance: Florentina Holzinger
Musical Direction: Marit Strindlund
Tickets go on sale May 17, 2025 at 2:00 pm
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SANCTA by Florentina Holzinger
Performance by and with: Saioa Alvarez Ruiz, Born In Flamez, Gibrana Cervantes, Renée Copraij, Luz de Luna Duran, Sophie Duncan, Blathin Eckhardt, Fibi Eyewalker, Jasko Fide, Paige A. Flash, Fleshpiece, Florentina Holzinger, Sara Lancerio, Laura London, Annina Machaz, Malin Nilsson, Xana Novais, Netti Nüganen, otay:onii, Veronica Thompson
Cornelia Zink, soprano
Andrea Baker, mezzo-soprano
Emma Rothmann, contralto
Women of the Mecklenburgisches Staatstheater opera choir and guests
Orchestra of the Komische Oper, Berlin
Stage direction, Choreography & Performance: Florentina Holzinger
Musical Direction: Marit Strindlund
Tickets go on sale May 17, 2025 at 2:00 pm
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SANCTA by Florentina Holzinger
Performance by and with: Saioa Alvarez Ruiz, Born In Flamez, Gibrana Cervantes, Renée Copraij, Luz de Luna Duran, Sophie Duncan, Blathin Eckhardt, Fibi Eyewalker, Jasko Fide, Paige A. Flash, Fleshpiece, Florentina Holzinger, Sara Lancerio, Laura London, Annina Machaz, Malin Nilsson, Xana Novais, Netti Nüganen, otay:onii, Veronica Thompson
Cornelia Zink, soprano
Andrea Baker, mezzo-soprano
Emma Rothmann, contralto
Women of the Mecklenburgisches Staatstheater opera choir and guests
Orchestra of the Komische Oper, Berlin
Stage direction, Choreography & Performance: Florentina Holzinger
Musical Direction: Marit Strindlund
Tickets go on sale May 17, 2025 at 2:00 pm
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W.A. Mozart (1756-1791): Missa Brevis in C Dur "Spatzenmesse" KV220
Carmen Callejas Garcia, soprano
Julie Comparini, alto
Enrico Busia, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche, Barockensemble
Matthew Glandorf, conductor
Jennifer Murasch, pastor
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Heinrich Schütz: Excerpts from the Johannespassion
Antonio Lotti: Crucifixus à 8
Carmen Callejas Garcia, soprano
Julie Comparini, alto
Enrico Busia, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche, Barockensemble
Matthew Glandorf, conductor
Achim Krebber, pastor
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Dietrich Buxtehude: Membra Jesu nostri
J. S. Bach: Kantate BWV 150, Nach dir, Herr, verlanget mich
Johann Theile, Schaffe in mir Gott ein reines Herz
Soloists
Die Kleine Kantorei
Conducted by: Jonathan Hiese
Unser Lieben Frauen Kirche Bremen
ULF Kirchhof
28195 Bremen More Information
J.S. Bach: Cantata BWV 131 Aus der Tiefe ruf ich, Herr, zu dir
Michael Tippett: Five Spirituals from Child of our Time
Thomas Morley: Out of the Deep
J.S. Bach: Chorale from Cantata BWV 23, Du wahrer Gott und Davids Sohn
Carmen Callejas Garcia, soprano
Julie Comparini, alto
Enrico Busia, tenor
Alexander Schuhmann, bass
Capella der St. Martini-Kirche and orchestra
Conducted by Matthew Glandorf
Tickets (at the door)€ 20 / € 15 students and seniors
Free admission for under-18-year-olds
Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Dietrich Buxtehude: Membra Jesu nostri
J. S. Bach: Kantate BWV 150, Nach dir, Herr, verlanget mich
Johann Theile, Schaffe in mir Gott ein reines Herz
Soloists
Die Kleine Kantorei
Conducted by Jonathan Hiese
Liebfrauenkirche Fischerhude
Kirchstraße, 28870 Fischerhude
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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L. van Beethoven, Missa solemnis D-dur op. 123
Regula Mühlemann, soprano
Eva Zaïcik, alto
Julian Prégardien, tenor
Gabriel Rollinson, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Conducted by Thomas Hengelbrock
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Works by Samuel Coleridge-Taylor, Florence Price, Chiquinha Gonzaga and Clarence Cameron White
Although European and American music history of the nineteenth and twentieth centuries focuses on white composers, pioneering composers of color were also active during the Romantic era, enriching and expanding classical music with their compositions. This moderated concert presents four composers whose life and works made an impact on the musical world in spite of marginalization and discrimination.
Namu Ensemble
Dannielle Seiler, concept and arrangements
Julie Comparini, voice and moderation
St. Martini zu Bremen-Lesum
Hindenburgstr. 30
28717 Bremen
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Works by Samuel Coleridge-Taylor, Florence Price, Chiquinha Gonzaga and Clarence Cameron White
Although European and American music history of the nineteenth and twentieth centuries focuses on white composers, pioneering composers of color were also active during the Romantic era, enriching and expanding classical music with their compositions. This moderated concert presents four composers whose life and works made an impact on the musical world in spite of marginalization and discrimination.
Namu Ensemble
Dannielle Seiler, concept and arrangements
Julie Comparini, voice and moderation
Zentrum für Kunst im Tabakquartier
Hermann-Ritter-Straße 108 E
28197 Bremen
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Works by Samuel Coleridge-Taylor, Florence Price, Chiquinha Gonzaga and Clarence Cameron White
Although European and American music history of the nineteenth and twentieth centuries focuses on white composers, pioneering composers of color were also active during the Romantic era, enriching and expanding classical music with their compositions. This moderated concert presents four composers whose life and works made an impact on the musical world in spite of marginalization and discrimination.
Namu Ensemble
Dannielle Seiler, concept and arrangements
Julie Comparini, voice and moderation
Dom zu Verden, Großer Saal
Lugenstein 10-12
27283 Verden
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J.S. Bach: Cantata BWV 217, Gedenke, Herr, wie es uns gehet
Johann Christoph Altnickol: Motet Befiehl du deine Wege
J.S. Bach: Cantata BWV 16 Herr Gott, dich loben wir
Friederike Stübner-Garbade, soprano
Julie Comparini, alto
Christian Volkmann, tenor
Carsten Krüger, bass
Vokalenemble terra nova
Ensemble Concerto Giovanni Battista, Paul Wicke
Conducted by Katja Zerbst
Ev. Kirchengemeinde Oberneuland
Hohenkampsweg 6
28355 Bremen
Tickets €24 / €18 erm.
Tickets at the door or in the Oberneuland Magazin-Ticketshop
J.S. Bach, Kyrie und Sanctus
Henry Purcell, Te Deum und Jubilate
Christine Süßmuth, Carmen Callejas Garcia, soprano
Nina Böhlke, Julie Comparini, alto
Michel Gattwinkel, Christian Bratschke, tenor
Alexander Schuhmann, Miguel Callejas, bass
Musical direction: Matthew Glandorf
Ev. Kirche St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Heinrich Schütz, Psalm 2 Warum toben die Heiden
Heinrich Schütz, Weihnachtshistorie (Auszüge)
John Rutter, Dormi Jesu
Christine Süßmuth, soprano
Julie Comparini, alto
Benjamin Kirchner, tenor
Alexander Schuhmann, bass
Capella St. Martini-Kirche
Musical direction: Matthew Glandorf
Ev. Kirche St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Heinrich Fidelis Müller: Weihnachtsoratorium (1879)
Soloists
Capella vocalis and motet choir of the Trinitatisgemeinde Bremen
Project orchestra
Musical direction: Jürgen Marxmeier
St. Johannis in Arbergen
Arberger Heerstr. 69
28307 Bremen
Admission free, donations requested.
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Vocal ensemble
Capella St. Martini
Musical direction: Matthew Glandorf
Ev. Kirche St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Sacred cantatas and instrumental music by Johann Philipp Käfer
La Protezione della Musica
Musical direction: Jeroen Finke
Findorff-Kirche Grasberg
Speckmannstraße 40
28879 Grasberg
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On stage: a bell that weighs two tons, a skateboard halfpipe and a waterfall. The Austrian performance artist Florentina Holzinger demolishes stage genres and visual habits. Setting out from Paul Hindemith’s one-act opera Sancta Susanna (premiered in 1922), she joins forces with an ensemble of opera singers, sex workers and body modification artists to investigate the way female identities and bodies are trimmed in religious systems and rites. The drama about a nun’s lust and sexuality is intertwined with new compositions by Johanna Doderer, Born in Flamez and Stefan Schneider as well as with religious works by Johann Sebastian Bach, Sergei Rachmaninoff and others. It is a musical and performative reflection on bodies and sexuality that evolves into a celebration of a mass together with the audience.
Florentina Holzinger & Ensemble, Performance
Cornelia Zink und Andrea Baker, soprano; Emma Rothmann, mezzo-soprano
Blathin Eckhardt, Gibrana Cervantes, otay : onii, live music
Women's choir of the Mecklenburgisches Staatstheater & guests
Mecklenburgisches Staatskapelle
Conducted by Marit Strindlund
Stage direction and choreography: Florentina Holzinger
Volksbühne am Rosa-Luxemburg-Platz
Linienstraße 227
D-10178 Berlin
Adult audiences only! (18+)
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On stage: a bell that weighs two tons, a skateboard halfpipe and a waterfall. The Austrian performance artist Florentina Holzinger demolishes stage genres and visual habits. Setting out from Paul Hindemith’s one-act opera Sancta Susanna (premiered in 1922), she joins forces with an ensemble of opera singers, sex workers and body modification artists to investigate the way female identities and bodies are trimmed in religious systems and rites. The drama about a nun’s lust and sexuality is intertwined with new compositions by Johanna Doderer, Born in Flamez and Stefan Schneider as well as with religious works by Johann Sebastian Bach, Sergei Rachmaninoff and others. It is a musical and performative reflection on bodies and sexuality that evolves into a celebration of a mass together with the audience.
Florentina Holzinger & Ensemble, Performance
Cornelia Zink und Andrea Baker, soprano; Emma Rothmann, mezzo-soprano
Blathin Eckhardt, Gibrana Cervantes, otay : onii, live music
Women's choir of the Mecklenburgisches Staatstheater & guests
Mecklenburgisches Staatskapelle
Conducted by Marit Strindlund
Stage direction and choreography: Florentina Holzinger
Volksbühne am Rosa-Luxemburg-Platz
Linienstraße 227
D-10178 Berlin
Adult audiences only! (18+)
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Dietrich Buxtehude, Alles, was ihr tut
J.S. Bach, BWV 72, Alles nur nach Gottes Willen
J.S. Bach, BWV 169, Gott soll allein mein Herze haben
P.H. Erlebach, Ouvertüre Nr. 5 in F-Dur
Margaret Hunter, soprano
Julie Comparini, alto
Miguel Callejas, bass
Nordwestdeutsches Barockorchester
Kantorei St. Nicolai
Musical direction: Gerhard Schühle
St. Nicolaikirche Wittmund
Am Kirchplatz 2
26409 Wittmund
Admission € 18 / € 12 ermäßigt
Presented by the Ev.-luth. Kirchengemeinde Wittmund in cooperation with the Kulturring Wittmund
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Brecht-Revue -- Benefit Concert for refugio
Der Paß ist der edelste Teil von einem Menschen. Er kommt auch nicht auf so einfache Weise zustande wie ein Mensch. Ein Mensch kann überall zustande kommen, auf die leichtsinnigste Art und ohne gescheiten Grund, aber ein Paß niemals. Dafür wird er auch anerkannt, wenn er gut ist, während ein Mensch so gut sein kann und doch nicht anerkannt wird.
Bertolt Brecht, Flüchtlingsgespräche (1941)
Singers Julie Comparini, Evelyn Gramel, and Manja Stephan perform texts by Bertolt Brecht set to music by AC/DC, Paul Dessau, Hanns Eisler, Pink Floyd, Kurt Weill, Led Zeppelin, as well as new works.
Julie Comparini, Evelyn Gramel, Manja Stephan, voice
Bremer Kaffeehaus-Orchester
Matthias Entrup, percussion
Directed by Peter Schenk
Kulturkirche St. Stephani, 28195 Bremen
Admission 23 / 14 Euro. Tikets available via Nordwest-Ticket, in the Evangelischen Informationszentrum "Kapitel 8", in the Humboldt-Buchandlung und the Georg-Büchner-Buchhandlung, and at the door.
Benefit concert for the Stiftung refugio in support of refugees, with additional support from the Arbeitnehmerkammer Bremen, the Kulturkirche St. Stephani and the Lutheran-Protestant Church of Bremen.
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Music from Byrd und Haydn as part of church services.
Christine Süßmuth, soprano
Julie Comparini, alto
Christian Volkmann, tenor
Alexander Schuhmann, bass
Musical Director: Matthew Glandorf
Ev. Kirche St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Claude LeJeune (c.1528 - 1600): from Le Printemps (1603)
Jean Berger (1909-2002): Six rondeaux (1968)
Olivier Messiaen (1908-1992): Cinq rechants (1948)
Chants & Rechants is a new concert program that explores the influence of Renaissance music and texts on French composers of the 20th century. Its central work is the Cinq rechants by Olivier Messiaen, a work inspired by the structure of chants (verses) and rechants (refrains) in Claude LeJeunes 1603 collection Le Printemps. Together with pieces from Le Printemps and the Six rondeaux for voice and viola by Jean Berger, the program illustrates the constant dialogue between "old" and "new" that has accompanied musical history throughout the centuries.
Concept and programming: Julie Comparini
With Julie Comparini (contralto), Yuko Hara (viola), Bernhard Reichel (lute)
Orchid Kammerchor
Conducted by: Keno Hankel
Sunday, September 22nd 2024, 7:00 pm
Klosterkirche Lilienthal
Klosterstraße 14, 28865 Lilienthal
Claude LeJeune (c.1528 - 1600): from Le Printemps (1603)
Jean Berger (1909-2002): Six rondeaux (1968)
Olivier Messiaen (1908-1992): Cinq rechants (1948)
Chants & Rechants is a new concert program that explores the influence of Renaissance music and texts on French composers of the 20th century. Its central work is the Cinq rechants by Olivier Messiaen, a work inspired by the structure of chants (verses) and rechants (refrains) in Claude LeJeunes 1603 collection Le Printemps. Together with pieces from Le Printemps and the Six rondeaux for voice and viola by Jean Berger, the program illustrates the constant dialogue between "old" and "new" that has accompanied musical history throughout the centuries.
Concept and programming: Julie Comparini
With Julie Comparini (contralto), Yuko Hara (viola), Bernhard Reichel (lute)
Orchid Kammerchor
Conducted by: Keno Hankel
Saturday, September 21st 2024, 8:00 pm
Propsteikirche St. Johann
Klosterkirchenstraße, 28195 Bremen